Archive

Posts Tagged ‘songwriting basics’

Find Your Own, Unique Songwriting Voice

September 11th, 2008 orlando5 No comments

When the music industry refers to a musician as having an original style, it’s usually because that person has distinguished themselves by daring to be different, by consciously trying not to sound like any other musician, and by working hard to let their talent develop naturally. As a songwriter, if you really want to be successful or at the very least, musically appreciated, you should take it upon yourself to consciously try to be original. 

“Being original” in songwriting can mean anything from writing totally “off the wall” songs, to merely having a knack for amazing rhymes and wordplay, to having a certain cool vibe among so many other possibilities.  There are literally an infinite number of possibilities to make yourself a unique songwriter.  In other words, you can have your own “signature sound” by learning songwriting, and allowing yourself to develop naturally while searching for your unique voice.     

With a little patience and persistence, it’s fairly easy for anyone to learn songwriting basics and apply them quickly to your own original compositions.  Regardless of the songwriting genre you prefer, whether it be Pop, R&B, Dance or otherwise, once you have the basics down, at some point you’ll probably wonder “if, when, and how” you will develop your own, original style.     

To set yourself apart from the rest of the bunch it’s absolutely imperative that your songs stand out far above the rest.  It’s important to realize there are many great songwriters competing with you either locally or nationally, and that those songwriters are your direct competitors.  As a musician, I prefer to think of them as “friendly competition.” 

Songwriters who are your friendly competition hold so much valuable information in their heads and most of them are willing to share their knowledge through workshops and while networking through local and regional songwriting organizations just to name a few.  This is why it’s important to get out there and show your work and exchange tips and ideas through whatever type of worthwhile medium you can find.  The more influences and information you have, the easier it will be to find your own, unique songwriting style.

All songwriters have what I call a unique perspective of music, therefore they naturally and instinctively have their own inner music voice.  We all develop different “likes” and “dislikes“ when we first begin to hear music during our childhood years.  What happens?  Here’s what happens as your musical taste evolves; the music you know and love (likes) is absorbed into your brain and becomes an integral part of your being, whether consciously or subconsciously, and your mind filters out music you don’t like (dislikes).

Then, when you begin learning about songwriting, your musical tastes and influences become splattered into your songwriting like paint to a wall!  Oh, it might be a little messy at first but as you keep working hard on your craft the mess soon appears to become an actual work of original art!   

One last, important point to remember; every musician on this planet has been influenced by another musician before them.  The key to eventually being original lies in using those influences to help guide you into new, undiscovered territory!

Make Your Songwriting Practice And Study Sessions Count!

August 19th, 2008 orlando5 No comments

If you’re teaching yourself to learn songwriting or improve your songwriting skills it’s wise to implement some type of structured plan on how to reach your goals quickly. This will ensure you get the most out of every practice or study session.

You can actually create a detailed plan weeks at a time and actually have an idea of where you’ll be as far as progress during a certain time frame. The easiest way to plan what you need to learn is to find  great songwriting books such as The Craft of Lyric Writing (for lyrics) and Writing Music For Hit Songs (for music), and take notes, writing down important principles that make up a song such as “song forms,” “rhyming,” and “diatonic chords in all the different keys.”

For example, if I were a beginner songwriter looking to learn guitar or piano as well as learning songwriting basics, I wold come up with a realistic weekly schedule as follows using 1 hour sessions:

Monday

(Songwriting – Learn song forms) 30 min.

(Instrument - practice diatonic chords in the key of “C”) 30 min. 
The chords would be: C, Dm, Em, F, G, Am, B°

Wednesday

(Songwriting – Learn rhyming basics) 30 min.

(Instrument – learn to play diatonic chords in the key of “G”
The chords would be: G, Am, Bm, C, D, Em, F#°

Friday

Review everything learned in a systematic and productive way, ie., review the key of “C” diatonic chords, then the key of “G” diatonic chords, then start playing all the chords randomly so you can perfect your chord fingerings and so you can begin to get a feel for how each chord sounds in relation to one another. Review “song forms” and “rhyming basics.” 1 hour

The idea is to practice weekly with a purpose, set attainable goals, and be organized as opposed to practicing whatever you feel like on any given day without any direction whatsoever.   This will lead to more productive practice and study sessions, and you’ll reach your goals much quicker!