Songwriter Advisor Blog

It’s far too easy to end up with an acoustic guitar laying on the bed, sheets of paper thrown all over the room as if they were giant confetti, and a work area that doesn’t look like…..well-a work area!

If you’re serious about learning songwriting or actually writing your next hit song you have to take organization seriously in order to inspire a healthy songwriting environment. Studies have shown people experience better moods, less stress, and better work production when they work in a clutter-free environment.

A recent study also revealed people wasted approximately 1 1/2 hours a day at the workplace while looking for items misplaced or because they were distracted. How does that apply to songwriting?  That’s easy.

For starters, let’s say you’re learning songwriting basics and techniques in your bedroom by studying a book such as The Craft Of Lyric Songwriting and you’re taking notes. If your room is messy, chances are one of the loose leaf papers containing important notes will fall somewhere unexpected, in a corner mess pile without your knowledge. Picture yourself coming back the next day only to search frantically for those wonderful notes, or worse yet, the magical lyrics and chord progressions you wrote down but can’t remember!

The ten minutes you’ve tirelessly spent looking for your notes could’ve easily been invested in learning or actual songwriting. 

Whether you’re single, married, or live with a roommate, it’s difficult to channel total concentration on any task when you know your house or apartment is filthy.  Personally, I do much work (including writing this blog) on a laptop but I do have a work/mini-song production area in my bedroom at home, and it’s a constant struggle to keep my little workplace area spotless all the time.  

Why not give the clean workplace a try?

If you want to, here’s a simple way to get the job done over the next few days.  First and foremost, start cleaning each room or area of your house or apartment, one at a time for about ten to fifteen minutes a day until you’re satisfied: 

1.  On day one,  clean and vacuum the living room.  Put back misplaced objects and get rid of unwanted ones.  Remember, NO CLUTTER!

2.  On day two, clean your kitchen!  This is where you eat your brain food for songwriting ideas, so get this one done and out of the way.

3.  On day three, clean the bathroom so it’s presentable and comfortable to use.  What does this have to do with songwriting?  Stick with me.

4.  On day four, clean all other bathrooms if there are any more.

5.  On day five, clean your workspace, be it in an individual room/area or your bedroom, and remove all clutter.  Place all relevant songwriting books in a specific area so you can easily find and reference them without having to ask your German Shepherd if he ate the book or not!

6.  Repeat the process.

Initial cleaning times may vary, but if you’re like me, you have to keep working at maintaining a clean house, so here’s a great housewife tip from a big burly man like me:

Spend no more than 10 minutes a day on each area before you sit down to concentrate on songwriting.  You’ll have a healthier atmosphere to work in, you’ll have your body and mind warmed up and alert, and you’ll be more productive (any experienced songwriter will tell you this is so true) because you won’t be worried ever again about having to abandon your songwriting in order to throw all the dirty clothes as well as that broken miniature replica of the Empire State Building in a closet before your friends knock on the door!

Oh, by the way, this works for webmasters and bloggers too!     

It’s easy to fall into the same old routine by writing songs with the same basic chord structures, the same song forms, and similar melodies. Halfway into your set if somebody asks, “Hey, that sure sounds a lot like so-and-so,” that’s not so bad, but if you consistently get this kind of reaction with many of your original songs you might want to consider  slightly revamping how you approach your next few compositions.

Music is inspired by other music–we songwriters are all a product of our songwriting influences and musical tastes. You’d be hard-pressed to find one great songwriter who won’t cite another songwriter as being their inspiration.  In other words, if you learned how to play your guitar by learning The Eagles greatest hits you are more than likely going to have that Eagles flavor, however slight, show up in one or possibly a few songs somewhere down the line without even consciously realizing it initially. But at some point with all the music filtering in your brain, if you train yourself and just keep on songwriting, you will eventually turn a corner and come up with something totally original by merely experimenting.

Here are some surefire ways to spark your songwriting originality:

1.  While practicing or playing cover songs, concentrate on playing them and singing them in your own style instead of trying to imitate the actual recording.  This can be accomplished in several ways:

a).  Use different vocal phrasing and vary the melody in certain places
b).  Play the song in a slightly different or totally different tempo
c).  Play the song in a different key
d).  Vary the chords used in the original by replacing them with extended chords, relative minor chords instead of major chords(e.g. Em instead of Gmajor), etc.–any chords that add freshness and/or originality to the song!  You’ll find you can even change the whole chord structure of some songs and end up with an effective, entirely original-sounding version of a song.

The bottom line here is that by learning and practicing popular songs you’ll easily expand your chord knowledge and inspire your playing style of whatever instrument you choose.  You’ll even learn new chord progressions that’ll inspire creativity and stay in your subconscious mind as you write new songs.  However, instead of imitating the song perfectly as on the recording, make it your own by exploring your natural ability! 

 2.  Grab a chord book or visit JGuitar.com and begin or continue consistently expanding your chord knowledge.  Knowing at least some music theory is certainly beneficial, especially for jazz music, but it’s not absolutely required.  One of the most important parts in the musical aspect of songwriting is learning chords and how they interact and sound within the key of your songs.  Learn at least one new chord a day by not only learning the fingering, but playing the newly-learned chord until you recognize not only the sound of the chord, but also how it sounds when playing it amongst other chords you know.

3.  Look at your song catalog (completed songs)  and list them under three groups: uptempo, midtempo, slow.  If one or more song categories lag behind the other(s) by a large margin, consider writing the next few songs in that lowest number of songs category, e.g., if you’ve written 15 slow and midtempo songs and have written only 2 uptempo, consider writing the next couple of songs as uptempo songs.  By doing so, who knows?  You may hit upon a totally new, signature sound that blows everyone away!  

4.  Check out your local music scene and you’ll likely find great, undiscovered talent in your own home town that can influence your playing and even take you in a different musical direction altogether!  There are many talented musicians who are perfectly content with not chasing a major label because they’re making a great living playing and selling their own music.  Heck, in many cases, self-contained hometown musicians can make a better living than a major label artist!!! 

If you’re a guitar player, focus on the guitarist and how he or she plays in the context of their music.  Likewise, if you’re a keyboardist, watch the keyboard player and if you’re a drummer, watch the drummer, etc.  Any instrument you choose to focus on while you’re out listening to music has the potential to be the source of inspiration you’ve been looking for to help your originality!  

5.  Take your song catalog and try to listen for similarities between several songs, and ask yourself questions such as:

a).  Are the song intros the same the exact same length (4 bars, 8 bars, etc.)?  If they are, then make a conscious effort to vary the intro length. Try “no intro,” a two bar intro, etc.

b).  Am I using the same song forms for every song?  If so review Inject More Life Into Your Songwriting Pt1.  You may be using the same song forms everyone else is  because it’s “commercial” or you feel comfortable writing in that same style. 

c).  Is my lyric phrasing similar in length or style from song to song?  Vary the length of your lines while you write your next few songs.  You might come across a style that’s totally unique to you.

d).  Have I considered writing a new song with a new instrument or even without any instrument at all? 

6.  If you’re one of the lucky few to be hanging around with proven music industry songwriters, watch and learn how they work.  Pick up their good habits and don’t hesitate to ask them questions when, if at all, possible.  This will help you develop your own personal style as long as you merely assimilate their styles and work habits, and as long as you don’t try to copy their styles.

Most industry executives are looking not only for hit quality songs, but songs and acts that sound original enough to stand on their own!  The same holds true for hardcore music fans!  The truth is, the music world has pretty much shown us everything and “true originals” are extremely hard to find because inevitably, almost every songwriter or artist sounds like and is compared to another songwriter or artist.  If you come upon a great sound that’s totally original you have a distinct advantage in the music industry.  So explore, explore, explore!!!