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Advanced Songwriting Tips – Put Yourself In Songwriting Mode – Part 2

August 14th, 2008 orlando5 1 comment

In Part 1 of this series we learned that songwriters can actually train their minds to create ideas and starting points for songs when they least expect it, in hopes of coming up with original, catchy songs when the inspiration strikes!

Without getting too technical (I might confuse myself) I can tell you our minds filter all the stimulation we absorb through our five senses, and if you’re a songwriter, with proper training and knowledge, you can subconsciously harness all that power running through your mind’s filter and eventually allow song ideas to spring into your head! 

“How do I do that?” you ask.   The answer is less complicated than you probably think.  This is what you have to do, step-by-step:

1.  Learn all the songwriting basics necessary to write songs.  Check out this free beginner songwriting guide, this free step-by-step songwriting guide, or consider a more complete but lengthier songwriting guide such as Six Steps to Songwriting Success, Revised Edition (Due out 10-02-2008): The Comprehensive Guide to Writing and Marketing Hit Songswritten by Jason Blume.

The point here is to learn all the necessary songwriting basics so you have strong knowledge of all the sections used in songwriting. These include; intro, verse, prechorus, chorus, bridge, instrumental, raps, and spoken word parts. You need to train yourself to automatically recognize the different sections that make up songs and how they are used. This takes studying songs and actually writing your own songs (although it’s helpful, you don’t even have to know how to play an instrument to learn songwriting basics).

2. Listen to your favorite songs and pick out the most interesting parts such as the song hook, parts of a verse, a certain rap line, etc.  Now, what you’re looking for is a short catchy line that stands out as being the most memorable part of the song.  As mentioned in Part 1, these are also song areas for you to study and analyze

1. a great original song title
2. a catchy melody (usually a short musical phrase)
3. an interesting lyric
4. an infectious rhythm
5. a pleasing harmony
6. any other song component

For example, in Leona Lewis’ smash hit single “Bleeding Love” the part that stands out most to me is, “I keep bleeding I keep, keep bleeding love.”  This is a very short phrase that keeps repeating as the song’s hook.  It contains interesting lyrics and a catchy melody, the most common example as it relates to this exercise.  A great original song title is also there to boot!  This short phrase could have definitely been an idea that just popped into a songwriter’s head!  This sort of thing happens all the time to hit songwriters and you can do it, too. 

3.  Once you know all the songwriting basics and you’re able to recognize different parts of songs, the next step is to really dive deep into writing your own original songs.  You may have already started to compose your tunes by now anyway, but I’m talking about continually and consistently trying to write songs.  You will eventually reach that “zone” where song ideas spring out like water from a faucet!  Many pro songwriters swear they become so consumed by songwriting in phases (usually a few weeks) several times a year because the ideas just don’t stop!    

The trick is to know all the songwriting basics, to know what to look for in songs, and to become really active in your songwriting by continually trying to compose songs. 

The more songs you write, the more experience and knowledge you gain, and before you know it, you will reach that “effortless zone” those pro songwriters seem to reach all the time.  For some songwriters, reaching “songwriting mode,” a condition created by yourself whereby you effortlessly come up with great song ideas, can take a few weeks to several months to a few years.  It depends on how hard you really want to work at your songwriting craft.     

 Be patient-with experience and practice, there’s no doubt you will eventually get to a point where great song ideas stream into your head.  Just don’t try to force the ideas into your head-this will create too much stress, and you’ll actually regress instead of progress.  I know-’cause I’ve been there!

Outline The Idea Of Your Song Before You Write It

July 5th, 2008 orlando5 No comments

One great way pro songwriters approach writing a song is by writing out the song idea before trying to tackle the actual writing of the song.  The story doesn’t have to be lengthy, just enough to give you a solid idea of what your song will be about.  After you’ve written a few lines for your song’s idea, condense it to one–yes ONE solid story line.  This method is almost foolproof if you come up with an interesting song title to match the song idea.

Here’s an example of this method.  I recently used it to write the country tune “An Offer I Can’t Refuse.”   I chose the title after hearing it on TV and several ideas for a song poured into my head like ten severe thunderstorms raining down on me at once! 

1. First, I created the story by picking out ONE song idea from several possible ones that came to my head for this title:

I’m in love and I don’t want to miss the chance at having that special someone slip through my hands just because I’m not sure if I’m willing to commit to a serious relationship.  I can actually see us having a beautiful future and I can definitely picture her walking down the aisle to meet me at the altar.  I need to go for it–and take a chance at being happy.  I’m so grateful for having her in my life.

2. Then, I shortened my idea to only ONE sentence:

I’m not going to let my big chance of loving you pass me by, I’m going to commit to you, and I’m going to do everything I can to make this work and make you happy.

3. Next, I picked out a song form I thought would work to get my message across.  Keep in mind that initially selecting a song form is a good idea so you can structure your song but this can change minimally or drastically later on.  In other words, select a song form as a starting point.  For this song I picked the common verse-chorus-verse-chorus-bridge-chorus (ABABCB) form.

4. The next step I took was to outline what I was going to say in each section:

Verse 1 – I can’t let this chance pass me by
Chorus – You loving me forever is an offer I can’t refuse
Verse 2 – Can you see in my eyes how grateful I am for having a chance to love you  
Bridge – I’m ready to work hard at keeping our relationship going through the good and the bad

5. Finally, here’s the song after a few rewrites to perfectly drive my message across:

An Offer I Can’t Refuse
(O. Gutierrez)

Verse 1
I’m not going to give up on this chance
It feels much too right
To make my every step a lifelong dance
With you by my side

My gut keeps telling my head
There’s absolutely no risk
It’s easy to feel this way
Every time you kiss me

Chorus
Oooohh
I can taste the treasure in your lips
I feel the potential of my soul
To give itself
To you completely

Ooooohh
You don’t have to say another word
I’m already convinced
Your love has made me
An offer I can’t refuse

Verse 2
For you I’m going to trade in all my cares
For hopes and big dreams
Everday I’ll thank the man upstairs
For helping me see

You are the diamond
I never thought I’d find
Can’t you see how my eyes sparkle
Knowing you’ll be mine

Repeat Chorus

Bridge
I’ll take you up
On what you say will take us far
I’ve bought into
Me and you
Playing it smart
And placing our biggest bet
On each other’s heart

Repeat Chorus

Copyright 2008