Superior Songwriting Review – How to Be a Songwriter Who Gets Noticed

Superior Songwriting course is a complete guide that even advanced songwriters will find very useful.Songwriting simply does not come naturally for many people, so it’s understandable how so many people become frustrated and discouraged with it. I should know; I’ve been there!

In this Superior Songwriting review, we’ll take a look at Superior songwriting to see if it can indeed help you master the craft of songwriting in a short amount of time.

If you are having issues with your songwriting, whether you can’t seem to find inspiration for a song, whether you are having difficulty translating your feelings and/or thoughts into words, or for any other reason, you’ll be glad to know there is always help available.

I have always been a pretty resourceful person and I taught myself how to write songs by using every bit of information I could find on the Internet and through several songwriting books, and by trial and error with my acoustic guitar.

However, it wasn’t easy and I definitely would have had more success sooner if I had used a comprehensive course to take me from A to Z.

Instead, I had to piece everything together over a pretty long period of time.

It was extremely frustrating and time-consuming, but in the end, I learned!

The author of Superior Songwriting, Stuart Sinclair, supposedly covers everything in this course, from songwriting for beginners to extremely advanced methods.

Here’s what I found:

The course assumes you have no working knowledge on how to write songs and this is a welcome sight as many courses mistakenly assume all readers know certain aspects of songwriting, and it becomes difficult to follow along and improve your skills.

Additionally, it’s easy for advanced songwriters to follow along without getting bored and actually offers quite a few tidbits of information and techniques that in my opinion, that even award-winning songwriters can use to their advantage!

The most impressive part of the course is how the author agrees with my belief that just about anyone can learn to write great songs once they have the fundamentals down pat. I felt like shouting “hurray” from the rooftops when I saw this!

Now, don’t get me wrong. Anyone, and I mean anyone, can learn the basics of how to write a great song because there are many technical aspects that go into writing such a song.

However, in my opinion, to come up with one of those epic masterpieces that make your jaw drop and your dog’s tail to start wagging, you have to have some of your own natural creativity mixed in with all that technical know-how.

Luckily, the course also teaches you how to write songs in your very own style so you can be a true original instead of another cookie-cutter writer. So, I guess you now have that chance to write a true epic creation!

Superior Songwriting course review reveals the truth about whether or not this course is effective.And this is the strength of this course; the fundamentals and how to allow those new-found skills to spark your creativity.

Aside from all the necessary skills you need to learn in order to become a great songwriter, Sinclair teaches you how to capture an idea for a great song and how to capitalize on it. I can’t tell you how many times I came up with an idea before I had the necessary songwriting skill sets and I didn’t have the slightest idea of what I was doing or how I would capture the ideas into songs.

He also gives you great techniques on how to overcome writer’s block and make it a thing of the past. I found this section very helpful for me, since I am an experienced songwriter who occasionally runs out of inspiring ideas for songwriting at the worst times! Maybe I’m not as sharp as I used to be!

I was impressed by Sinclair’s teaching on how to become the most confident songwriter possible. I have seen over and over again, certain songwriters who missed their chance because they weren’t able to portray that necessary confidence in front of very important people who could have helped their careers.

What I mean here is; music publishing company executives hire songwriters who “have it together.” They don’t want to babysit them and find out later that they can’t fulfill the terms of their high-paid contracts.

Sinclair also teaches you how to come up with your own melodies, even if you don’t know how to play an instrument.

A person with no musical experience at all who simply likes music can conceivably take this course and write a song without any prior musical training whatsoever.

Soft Spots

I found a couple of soft spots in this course that I didn’t fully agree with, but hey, what do I know?

The first, is that I wish the course would have stressed a little more how important it was to maintain the creativity part of how to be a songwriter, regardless of how much technical stuff you know. But I’ll leave that up to you, now that I’ve pointed it out. It shouldn’t be a problem as long as you keep this in the back of your mind.

The second part I think some people will have a little difficulty with is actually starting to write songs the wrong way before reading the whole course. It is highly important that you read the course in its entirety before you cut yourself loose and write your next masterpiece!

You’ll have much better results, in my opinion.

The course comes with three bonuses that you can see on their sales page here:

==> Superior Songwriting


Finally, I wanted to mention how this course also prepares you for a professional songwriting career, if that’s the route you want to take.

You’ll learn these crucial songwriting topics:

  • how to market your songs effectively so you can land deals
  • how to network and get your songs to the masses
  • how to cut a great demo of your songs
  • how to effectively submit your demos to publishing companies
  • the importance of entertainment attorneys at certain points in your career
  • how to collaborate with other writers to maximize your chances to get signed.

One of the most important parts of this course is where Sinclair teaches you how you can make your songs memorable so they can stand out far above everybody else’s creations. This is exactly what music publishing companies are constantly looking for.

I hope you have found this Superior Songwriting review helpful and that it helps you make a more informed buying decision.

If you want to learn how to be a songwriter in every sense of the word, I can’t think of a better way to start.

If you are looking to become a professional songwriter, this is probably the only course you will ever need. The rest is up to you.

See Superior Songwriting Here

Song Royalties: Successful Songwriters Sit On A Throne!

Song royalties can be quite lucrative forever if you write a standard.Songwriters, along with music publishers, make money from their song royalties in several ways. If songwriters are signed to a music publishing deal they usually split their song royalties 50/50 with the music publisher. Please Bookmark This Site

Songwriters need to affiliate themselves with a performance rights organization before releasing a song to the public so the P.R.O.’s as they’re called, can collect performance royalties for the songwriters.

Collecting performance royalties is a complicated process and the only way to ensure songwriters are properly paid is by the songwriter joining one of these three organizations :

ASCAP – The American Society of Composers, Authors, and Publishers

ASCAP collects song royalties for music publishers and songwriters



BMI – Broadcast Music, Inc

.BMI is one of three PRO's who collect song royalties



SESAC – the name originally stood for Society of European Stage Authors & Composers, but now it’s known simply as SESAC

SESAC also collects song royalties


I’m a member of BMI and I’m very happy with them. I know a few songwriters and music publishers who are with ASCAP and they’re perfectly content, too. This is a personal decision you must make and a good way to proceed here is to research all three on the web and ask people in the biz what their preference is and why before deciding.

Songwriters earn most of their song royalties from the following two categories:

1. Mechanical royalties

These are song royalties earned from sales of recordings, i.e., CD’s, internet downloads, ringtones, computer games, midi files, etc.

The minimum statutory rate is currently 9.1¢ or $1.75 per minute (whichever is greater), which means for every one of your songs sold as a recording, you and your music publisher will split 9.1¢.

Let’s say you wrote an awesome song and your music publisher was able to place it on an artist’s CD which sold 1,000,000 copies. Check out the hit charts; this scenario happens all the time!

1,000,000 x 9.1¢= 91,000/this means $45,500 each for songwriter and music publisher

2. Performance royalties

These song royalties are earned whenever the songwriter’s composition is performed publicly such as: on the radio, television, bars, roller skating rinks, bowling alleys, etc.

Let’s take the above example and imagine your song became a top ten hit on pop/top 40 radio:

Over a year’s period these song royalties would be approx. $500,000/ $250,000 each for the songwriter and music publisher.

The total for a songwriter in the above scenario is already $295,000. The music publisher gets the other $295,000! And that is not including singles sales royalties, foreign royalties, sheet music royalties, synchronization licenses, and several other song royalty sources for songwriters.

So, in reality just one hit song will earn approx. $350,000 to $600,000 for a songwriter and the same amount for a music publisher during a year’s time frame. Imagine if you have three more songwriter credits on this CD and one more hit!

This is the reason a music publisher is always looking for talented songwriters for that next hit song. There’s a ton of money to be made from song royalties!

After the song has run its course as a hit, it will keep earning you song royalties as long as it’s played on the radio, as long the CD is still for sale, if it’s re-recorded by other artists, etc., It can literally earn you a lifetime of revenues.

A good song is a great investment. A great song brings a lifetime of earnings!